"Available once again, this beautifully lithographed collection of lore introduces children to some of traditional literature's bad boys (and girls)." --"School Library Journal"
"Over their nearly five-decade career, Ingri and Edgar d'Aulaire penned and illustrated nearly 30 books, winning them wide acclaim and several awards. "Trolls," originally released in 1972, was among this lauded group. New York Review Books has now returned it to print, and we have two words to say about that: Thank you. "Trolls" combines charming tales from Norse folklore with a fantasy traveler's guide to the hairy beasts. We learn about forest trolls, mountain trolls and bridge trolls--their habitats, habits and even number of heads. We meet three creatures who share a single removable eyeball, and cursed princesses who burp toads. But nothing's too scary: The lithographed pictures have a warm, hand-drawn look that transforms all beasts from horrific to humorous. The press reprinted another of the cou

Ingri Mortenson and Edgar d'Aulaire met at art school in Munich in 1921. Edgar's father was a noted Italian portrait painter, his mother a Parisian. Ingri, the youngest of five children, traced her lineage back to the Viking kings. The couple married in Norway, then moved to Paris. As Bohemian artists, they often talked about emigrating to America. "The enormous continent with all its possibilities and grandeur caught our imagination," Edgar later recalled. A small payment from a bus accident provided the means. Edgar sailed alone to New York where he earned enough by illustrating books to buy passage for his wife. Once there, Ingri painted portraits and hosted modest dinner parties. The head librarian of the New York Public Library's juvenile department attended one of those. Why, she asked, didn't they create picture books for children? The d'Aulaires published their first children's book in 1931. Next came three books steeped in the Scandinavian folklore of Ingri's childhood. Then the couple turned their talents to the history of their new country. The result was a series of beautifully illustrated books about American heroes, one of which, Abraham Lincoln, won the d'Aulaires the American Library Association's Caldecott Medal. Finally they turned to the realm of myths. The d'Aulaires worked as a team on both art and text throughout their joint career. Originally, they used stone lithography for their illustrations. A single four-color illustration required four slabs of Bavarian limestone that weighed up to two hundred pounds apiece. The technique gave their illustrations an uncanny hand-drawn vibrancy. When, in the early 1960s, this process became too expensive, the d'Aulaires switched to acetate sheets which closely approximated the texture of lithographic stone. In their nearly five-decade career, the d'Aulaires received high critical acclaim for their distinguished contributions to children's literature. They were working on a new book when Ingri died in 1980 at the age of seventy-five. Edgar continued working until he died in 1985 at the age of eighty-six.